Miguel Branco studied at the University of Fine Arts of Lisbon and since 1994 has directed the Department of Painting of the Center of Art and Visual Communication in Lisbon, Ar.Co.

Whether in his paintings or his sculptures, Miguel Branco has always worked from images drawn from art history. Through this evocation, the artist is dedicated to having varied geographic or temporal spaces cohabit in each of his works. With at once an awareness and an infinite distance, he hypertrophies his painting in order to make us relive the grandeur of his masters (Watteau, Chardin, Fragonard, Goya, Velázquez, Bellini, Stubbs, Hogarth, and Teniers, among others) just as he makes us travel, in his sculptures, to the heart of civilizations or countries such as Egypt or India, thus creating a dramaturgy where the sensation of the work is to reincarnate an essence at once present and absent, an invisible that overtakes us, but is also an intrinsic process in the oeuvre itself.  Whether it is animal, humanoid, object, place, skull, scribe or again butterfly, his œuvre is characterized by the constant presence of a scenic apparatus: something impalpable or someone is the protagonist.

In 2012, the gallery organized the first solo showof the artist, entitled Deserto. His work has been presented at international institutions such as MUDAM in Luxembourg, the CAM— Modern Art Center of the Calouste Gulbenkian Foundation in Lisbon and the Serralves Foundation in Porto. In 2015, a work by Miguel Branco is presented at the exhibition “Quinte-Essence”, which celebrates the gallery’s 90 years of activity, and at the Grand Palais for FIAC. The same year, the Musée de Schloss Ambrass, Innsbruck, organized an important solo exhibition ofhis work. In 2016, the gallery organized asecond soloexhibition entitled SPECTRES – On Birds, Skulls and Drones, in connection with the artist’s important solo show, entitled Black Deer – Résonances, Enlèvements, Interférencesat Musée de la Chasse et de la Nature in Paris. That same year, the gallery presentedthe artist’s works at the artfairsArt Dubaï, Drawing Now and FIAC.
In 2017, Miguel Branco’s sculptures are presented at the gallery at the exhibitions Présences, Corps et Ameset Whispers from the Earth. That same year, a Miguel Branco’s Untitled (White Doe)is presented in the museum’s courtyard on the occasion of the exhibition Passion de l’Art – Galerie Jeanne Bucher Jaeger depuis 1925, first retrospective devoted to the gallery’s history, at Musée Granet in Aix-en-Provence, South of France.
In Lisbon, Portugal, a bronze doe with goldenpatina is presented at the exhibition Artes e Letras : as edições da Galeria Jeanne Bucher Jaeger, devoted to the significant publishing activity of the gallery since 1925 until today, at the Árpád Szenes-Vieira da Silva Foundation.
In 2018, the work Untitled (Licorne) is presented in the exhibition Magiques Licornesat the Musée de Cluny in Paris, followed in 2019 by the exhibitionBêtes de Scèneat Villa Datris in L’Isle-sur-la-Sorgue, where the sculpture Untitled(Dodo) was exhibited.

www.miguelbranco.com

Miguel Branco, Untitled (Terra) n° 88, 2014
Watercolour, graphite gesso and white chalk on Saunders paper with grey wash
15,8 × 26 in
Photograph by Jean-Louis Losi
Solo exhibition " BLACK DEER - RESONANCES, ABDUCTIONS, INTERFERENCES", Miguel Branco, 2016
Musée de la Chasse et de la Nature, Paris, France
Photograph by Georges Poncet
Miguel Branco, Untitled (Pelicans), 2015
Oil on wood
3,7 × 4,1 in
Photograph by Frederico NS
Solo exhibition "BLACK DEER - RESONANCES, ABDUCTIONS, INTERFERENCES", Miguel Branco, 2016
Musée de la Chasse et de la Nature, 2016
Photograph by Georges Poncet
Miguel Branco, Untitled (Desert) n° 2, 2011
Digital image, pigmented Ultrachrome HDR ink-jet on cotton paper
44,1 × 71,3 in
Solo exhibition " BLACK DEER - RESONANCES, ABDUCTIONS, INTERFERENCES", Miguel Branco, 2016
Musée de la Chasse et de la Nature, Paris, France
Photograph by Georges Poncet
Miguel Branco, Untitled (Monk), 2015
Cedar wood
63,4 × 24 × 20,1 in
Photograph by Jean-Louis Losi
Solo show « Black Deer Resonances, Abductions, Interferences », 2016
Musée de la Chasse et de la Nature, Paris
Photograph by Georges Poncet
Miguel Branco, Untitled (Three shadows, Kafka), 2012
Acrylic resin
Variable dimensions
Photograph by Georges Poncet
Miguel Branco, Sans titre (Scribe), 2012
Musée de la Chasse et de la Nature, 2016
Photograph by Georges Poncet
Solo exhibition " BLACK DEER - RESONANCES, ABDUCTIONS, INTERFERENCES", Miguel Branco, 2016
Musée de la Chasse et de la Nature, Paris, France
Photograph by Georges Poncet