06.07.2022 — 24.10.2022
Carte Blanche à Yang Jiechang
Yang Jiechang
Musée National des Arts Asiatiques - Guimet, Paris, France
Hors les murs
Musée national des arts asiatiques - Guimet, Paris
Photograph by Thierry Ollivier
Musée national des arts asiatiques - Guimet, Paris
Photograph by Thierry Ollivier
Musée national des arts asiatiques - Guimet, Paris
Photograph by Thierry Ollivier
Musée national des arts asiatiques - Guimet, Paris
Photograph by Thierry Ollivier
Musée national des arts asiatiques - Guimet, Paris
Photograph by Thierry Ollivier
Musée national des arts asiatiques - Guimet, Paris
Photograph by Thierry Ollivier
Musée national des arts asiatiques - Guimet, Paris
Photograph by Thierry Ollivier
Musée national des arts asiatiques - Guimet, Paris
Photograph by Thierry Ollivier
Musée national des arts asiatiques - Guimet, Paris
Photograph by Thierry Ollivier
Musée national des arts asiatiques - Guimet, Paris
Photograph by Thierry Ollivier
Musée national des arts asiatiques - Guimet, Paris
Photograph by Thierry Ollivier
Musée national des arts asiatiques - Guimet, Paris
Photograph by Thierry Ollivier
Musée national des arts asiatiques - Guimet, Paris
Photograph by Thierry Ollivier
Musée national des arts asiatiques - Guimet, Paris
Photograph by Thierry Ollivier
Musée national des arts asiatiques - Guimet, Paris
Photograph by Thierry Ollivier
For its new contemporary carte blanche, the Musée national des arts asiatiques – Guimet invites the Chinese artist Yang Jiechang. Recognized for his mastery of traditional Chinese arts, Yang Jiechang expresses himself through a multitude of media: paintings, graphic arts, installations, videos, performances or sculptures. His art is infused with traditional Chinese calligraphy, aesthetics and thought, which are integrated into a contemporary context.
Presented in the 4th floor rotunda, Tale of the 11th Day (2011) is an 18-meter long painting on silk mounted on canvas, accompanied by a set of eleven porcelain vases, the result of a four-year collaboration with the Manufacture de Sèvres. Tale of the 11th Day is a reference to Boccaccio’s (1348-1353) Decameron, the tale of ten days. Imagining the 11th day, the artist depicts a primordial landscape drawn according to the classical models of the Yuan Dynasty (1279-1368). Yang Jiechang’s style is austere, pure and universal. He presents an allegorical vision of the Italian Renaissance masterpiece where animals and humans discover and mate: a Paradise where all divisions – religious, ethnic, ideological or political – are apparently erased. Tale of the 11th Day is the utopia of a globalized world naturally based on equality, respect, love and compassion. However, Yang Jiechang’s sensual paradise is painted in a time marked by armed conflict and contemporary crises. The installation reminds us that the harmony of relationships is still based on power relations, an unstable balance that is constantly being redefined.
Musée National des Arts Asiatiques - Guimet
6 Place d’Iéna
75116 Paris
T +33 (0)1 56 52 53 00
Opening hours
Open everyday except for Tuesday, from 10 am to 6 pm
downloads
Video
Watch the video “Carte Blanche à Yang Jiechang” by Felicitas Yang
Panel n° 6
Ink and mineral colours on silk mounted on paper and canvas
58,3 × 708,7 in
Photograph by David Bordes
Mineral ink and color on silk mounted on canvas
92,5 x 38,5 in
Photograph by Felicitas Yang
Galerie de Sèvres, Paris, France
Photographed by © Gregory Copitet
Ink and mineral colours on silk, mounted on canvas and neon writing
98,4 × 57 in
Photograph by Hervé Abbadie
2009 human bones in porcelain with blue pattern from the Ming era arranged in 270 wooden boxes stacked in wooden shelves
Variable dimensions
Human bones in porcelain with blue pattern from the Ming era arranged in 270 wooden boxes stacked in wooden shelves
Variable dimensions
India ink and medicinal material on Xuan paper and gauze
116,5 × 74,8 in
Ink on paper, mounted on canvas
ca. 47,2 x 70,8 in
Panel n° 6
Ink and mineral colours on silk mounted on paper and canvas
58,3 × 708,7 in
Photograph by David Bordes
Mineral ink and color on silk mounted on canvas
92,5 x 38,5 in
Photograph by Felicitas Yang
Galerie de Sèvres, Paris, France
Photographed by © Gregory Copitet
Ink and mineral colours on silk, mounted on canvas and neon writing
98,4 × 57 in
Photograph by Hervé Abbadie
2009 human bones in porcelain with blue pattern from the Ming era arranged in 270 wooden boxes stacked in wooden shelves
Variable dimensions
Human bones in porcelain with blue pattern from the Ming era arranged in 270 wooden boxes stacked in wooden shelves
Variable dimensions
India ink and medicinal material on Xuan paper and gauze
116,5 × 74,8 in
Ink on paper, mounted on canvas
ca. 47,2 x 70,8 in